Publications
Christopher Balme
Balme, Christopher and Tracy C. Davis, eds. A Cultural History of Theatre, Volumes 1-6. London: Bloomsbury Publishing, 2017.
Balme, Christopher and Berenika Szymanski-Düll, eds. Theatre, Globalization and the Cold War. London: Palgrave Macmillan, 2017.
______, "Theatrical Institutions in Motion: Developing Theatre in the Postcolonial Era." Journal of Dramatic Theory and Criticism 31, no. 2 (2017): 125-140. https://muse.jhu.edu/article/663575
______, ‘Introduction’, Balme, Christopher and Berenika Szymanski-Düll, eds. Theatre, Globalization and the Cold War. London: Palgrave Macmillan, 2017, 1-22.*
———. “Maurice E. Bandmann and the Beginnings of a Global Theatre Trade.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 34–45. Accessed December 13, 2016. https://gthj.ub.uni-muenchen.de/article/view/5019/4312.
Balme, Christopher, and Nic Leonhardt. “Introduction: Theatrical Trade Routes.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 1–9. Accessed December 13, 2016. https://gthj.ub.uni-muenchen.de/article/view/5020/4303.
———, eds. “Theatrical Trade Routes.” Special issue, Journal of Global Theatre History 1, no. 1 (2016).
———. “Managing Theatre and Cinema in Colonial India: Maurice E. Bandmann, J.F. Madan and the War Films’ Controversy.” Popular Entertainment Studies 6, no. 2 (2015): 6–21. https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/download/158/135.
———. “The Bandmann Circuit: Theatrical Networks in the First Age of Globalization.” Theatre Research International 40, no. 01 (2015): 19–36.*
———. “"His means are in supposition": Shakespeare and the beginnings of the global theatre trade.” Shakespeare Jahrbuch 2014, no. 150: 111–27.
———. The theatrical public sphere. Cambridge, New York: Cambridge University Press, 2014.*
———. “Theatre and Modernisation in the First Age of Globalisation: The Cairo Opera House.” In Syncretic arenas essays on postcolonial African drama and theatre: For Esiaba Irobi. Edited by Isidore Diala, 141–58. Cross/Cultures 177. Amsterdam [u.a.]:Rodopi, 2014.
———. “Derek Walcott and the Search for a Caribbean National Theatre.” In The journeyman years occational prose 1957-1974. Edited by Christopher Balme and Gordon Collier, ix–xxx. Cross/Cultures 172. Amsterdam, Netherlands, New York: Rodopi, 2013.
———. “Sustaining the Theatrical Public Sphere: Challenges and Perspectives.” In Africa and beyond: Arts and sustainable development. Edited by Patrick Ebewo, 52–68. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.
———. “Theater als Kulturindustrie: Globale Perspektiven in einer reflexiven Moderne.” In Theater entwickeln und planen: Kulturpolitische Konzeptionen zur Reform der darstellenden Künste. Edited by Wolfgang Schneider, 33–55. Postcolonial Studies 61. Bielefeld: transcript 2013.
———. Derek Walcott. The journeyman years: occasional prose 1957-1974. Edited by Christopher Balme and Gordon Collier. Cross/Cultures 172. Amsterdam, Netherlands, New York: Rodopi, 2013.
———. “Històrias Globais do Teatro: modernização, esfera pública e redes teatrais transnacionais.” In Rotas de Teatro entre Portugal e Brasil. Edited by Maria H. Werneck and Angela d. Castro Reis, 203–19. Rio de Janeiro: 7 Letras, 2012.
———. “Theatrical Translation as Modernization in the First Age of Globalization.” In Translation. Narration, Media and the Staging of Differences. Edited by Michael Roessner and Federico Italiano, 103–20. Bielefeld: transcript, 2012.
Nic Leonhardt
———. "Der Vorhang fällt nie", In "Forschung. Das Magazin der Deutschen Forschungsgemeinschaft". 2/2018, S. 22–27. https://nicleonhardt.files.wordpress.com/2018/07/globale-theatergeschichte_dfg-magazin-2_2018-22-27.pdf
With Christopher Balme, “Introduction: Theatrical Trade Routes.” In “Theatrical Trade Routes.” Edited by Christopher Balme and Nic Leonhardt. Special issue, Journal of Global Theatre History 1, no. 1 (2016): 1–9. https://gthj.ub.uni-muenchen.de/article/view/5020/4303.
———. “Editorial. Theatrescapes. Global Media and Translocal Publics”. Special issue, Journal of Global Theatre History 1, no.2 (2016), III-IV. https://gthj.ub.uni-muenchen.de/article/view/5039/4319
———. Durch Blicke im Bild. Stereoskopie im 19. und frühen 20. Jahrhundert. Berlin: Neofelis 2016.
———. “'From the Land of the White Elephant through the Gay Cities of Europe and America' - Re-routing the WorldTour of the Boosra Mahin Siamese Theatre Troupe (1900).” Theatre Research International 2, no. 2 (2015): 140–55.*
———. “Kommen und Gehen am Gärtnerplatz: Die Spielstätte im 19. Jahrhundert als Umschlagplatz für Theatervielfalt aus aller Welt.” In ‚Dem Volk zur Lust und zum Gedeihen’. 150 Jahre Gärtnerplatztheater. Edited by Stephan Frey, Leipzig: Henschel, 2015.
———, ed. “Negotiating the Entertainment Business: Theatrical Brokers at the Turn of the 20th Century: Focus Issue.” Special issue, Popular Entertainment Studies 6, no. 2 (2015). https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/download/162/134.*
———. „Erlebnis, Erfahrung, Experiment. 3D als idée fixe in Theater und Medien“, in: Bernd Stiegler (Hg.): 3D. (AugenBlick. Konstanzer Hefte zur Medienwissenschaft). Heft 62/63, August. Marburg: Schüren 2015, S. 17-35.
———. “Transatlantic Theatrical Traces. Sketches of Oceanic Trade Routes and Globe-Trotting Amusement Explorers.” In The Passing Show. Vol. 30. Edited by Shubert Archive, 2–23., 2014 (http://www.shubertarchive.org/pdf/passingshows/PS2013_14Final.pdf)
———. “A Hop, A Frock, A Hairdo: Irene Castle and her Female Networks of Theatrical Business.” Popular Entertainment Studies 4, no. 1 (2013): 50–63. https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/102/86.*
Leonhardt, Nic. “Die Proliferation der dramatischen Gattungen im 19. Jahrhundert.” In Handbuch Drama. Theorie, Analyse, Geschichte. Edited by Peter W. Marx. Stuttgart: J.B. Metzler, 2012.
MeLê Yamomo
Yamomo, meLê. (2018). Theatre and Music in Manila and the Asia Pacific, 1869-1946: Sounding Modernities. Palgrave Macmillian.
———. (2018) Echoing Musical Modernities: Filipino migrant musicians from the 19th century to the Present. In Saysay Himig: History of Philippine Music, 1880-1941 The University of the Philippines Press.
———. (2018). Making Sense of an Unfinished Business. In C. Rajendran, K. Takiguchi, & C. Nge (Eds.), Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre Kuala Lumpur: Epigram Books.
———. (2018). Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia. In T. C. Davis, & S. Mihaylova (Eds.), Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book (pp. 258-281). The University of Michigan Press.
2017
———. (2017). Global Currents, Musical Streams: European Opera in Colonial Southeast Asia. Nineteenth Century Theatre and Film, 44(1), 54-74.
Yamomo, meLê, and Steve Villaruz. (2017) “Manila and the World Dance Space: Nationalism and Globalization in Cold War Philippines and Southeast Asia.” In Theatre, Globalization and the Cold War. Edited by Christopher Balme and Berenika Szymanski-Düll. London: Palgrave Macmillan, p.307-324.
———. (2015) “Brokering Sonic Modernities: Migrant Manila Musicians in the Asia Pacific, 1881-1948.” Popular Entertainment Studies 6, no. 2: 22–37. https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/download/157/136.*
———. (2014) “Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia.” In The Transnational Histories of Uncle Tom’s Cabin. Edited by Tracy C. Davis and Stefka Mihaylova. Ann Arbor: University of Michigan Press, [forthcoming].
Sounding Modernities: Theatre and Music in Manila and the Asia Pacific (1869 - 1946). Dissertation, Theatre Studies Department, Ludwig-Maximilians-University.
Anirban Ghosh
Ghosh, Anirban. (2014) The Tropic Trapeze: Circus in Colonial India. Dissertation, Theatre Studies Department, Ludwig-Maximilians-University.
Gero Tögl
Tögel, Gero. (2013) “Rezension zu: Bernd Buchner: Wagners Welttheater. Die Geschichte der Bayreuther Festspiele zwischen Kunst und Politik. Darmstadt.” Accessed September 22, 2015. http://www.hsozkult.de/publicationreview/id/rezbuecher-20370.
———. The Bayreuth Enterprise. 1848-1914. Dissertation, Theatre Studies Department, Ludwig-Maximilians-University, January 15, 2015.
Ziad Adwan
Ziad Adwan. “The Local Otherness: Theatre Houses in the United Arab Emirates.” Arab Stages Journal 2, no. 2 (2016). http://arabstages.org/2016/04/the-local-otherness-theatre-houses-in-the-united-arab-emirates/.
——— . The Opera House in Damascus and the ‘State of Exception’ in Syria. New Theatre Quarterly 32, no. 3, (2016) 231-243. https://www.cambridge.org/core/journals/new-theatre-quarterly/article/opera-house-in-damascus-and-the-state-of-exception-in-syria/1F51F0391460293C75FE3394918FAD88
Johanna Dupré
Duprè, Johanna. “Die erste Jockey-Reiterin der Welt, aus Süd-Amerika: Rosita de la Plata, Global Imaginaries and the Media.” Journal of Global Theatre History 1, no. 2 (2016)] https://gthj.ub.uni-muenchen.de/article/view/5033
——— mit Rashna Nicholson und Maria Djokic. “Theatrescapes: Global Media and Translocal Publics (1850-1950).” Conference report.